What’s wrong with Hannibal?

Aside from the obvious?

Not going into aestheticism, they pretty much screwed up everything they could have screwed up. Will Graham, the ultimate empath (insert race from Star Trek) is nothing more than an oversensitive, snivelling child who cannot seem to keep his eyes dry for two minutes. The guy who plays Graham in the show (I don’t care about his name) could not portray the transformation of the “real” Will Graham into a ruthless killer – shockingly, saying “This is my design” has not proven enough.

giphy (8).gif

The only thing which lead me through the whole first season was the fact that I was intrigued by the massive changes to the story. However, the changes they made to the title character were just too much.

Mads Mikkelsen’s Hannibal is antisocial, weird and so obviously “not-all-there”, that I fail to understand how no one took note of it sooner. He lacks any emotion and fails to react properly in almost all situations, which pretty much screams “sociopath”. However, one of best psychiatrists recommends him to one of the best FBI investigators to help the best profiler. How quaint. And utterly idiotic.

giphy (9).gif

Hannibal is once again – ruined (remember this?). The greatest and biggest reason to fear Hannibal (the Original) is his normalcy and the fact that you like him and enjoy being in his company. It’s a pleasure to talk to him, even after you learn that he is in fact a monster, at times his intelligence makes you forget this. He is sociable, well-liked and highly-functional – only at times his misanthropy seeps through. In my opinion, you can mess with everything when using Thomas Harris’s books, but you cannot mess with the essence of Hannibal.

Now, the story. One episode per serial killer. Really? Come on? Hello – here’s a vicious, cruel serial killer who kills young women who all look alike. Oh, here’s a list of employees at a construction site. Oh look, here’s the serial killer. Yay. Sorry, but there’s no aestheticism that can mask this massive fail. One episode was simply not enough to portray a warped mind which instils fear and haunts Graham throughout the entire season. I mean, the guy you showed me is just a glorified butcher.

Hannibal is at best a 3/10 but I’m still going to watch season two. Because, I really want to know what happens next. But first I’m going to go back to one of my favourite books  and one of my favourite characters (not Hannibal, Will Graham).

Advertisements

Film Adaptation. Done Right.

You know how people say: “You should’ve seen it on the big screen“? I have discovered recently this also applies to The Silence of the Lambs, one of my favourite movies of all times.

The Silence of the Lambs is one of those movies which I have watched enough times to have memorized not only all the lines, but also the way those lines are delivered as well as facial expressions of characters as they deliver them. I guess this tends to happen when a movie is directed masterfully, the casting is freakishly good and the script kicks ass. So, not very often.

I’ve seen the movie a billion times and I thought I appreciated it for all its worth. However, I was wrong. Only on big screen can you appreciate the sheer genius of Anthony Hopkins and Jonathan Demme. For the first time I was able to fully appreciate how good Jodie Foster is as Clarice Starling.

Aside from the obvious reasons for loving this movie, I also love it because it is the best film adaptation I have ever seen. It is the epitome of film adaptation. It’s film adaptation, done the right way. You take the source material (which is awesome, requires no tweaking and needs not be tampered with) and you give it a dimension only the medium you’re adapting it to can give it.

You give it a voice, you give it a face. You use a simple thing as a look to convey a thousand words that a book cannot communicate. You use the camera and sound the way a book uses words and descriptions – to draw in the audience, make it a part of the scene, make it feel the story, make them live it and suffer it. The Silence of the Lambs is proof that Demme understood his medium and had respect for the source material.

It’s a fucking masterpiece, this movie. It’s also one of the rare film adaptations that I actually like more than I the source material.

The only thing that would make me appreciate it more would be hearing the lambs scream as they are being slaughtered. But I think the current level of appreciation will have to suffice.