Debasement of Language (and Thought)

There are two terms which have been omnipresent (ok, present) in the Croatian public sphere (used by politicians, activists and then by the media and the people) which have been concocted, I think, to serve interests of certain groups. I will not go into the merits of those interests, and I will not state these terms (which I have used more often than I care to admit).

I’m going to, however, put them into the B vocabulary of Newspeak which “consisted of words which had been deliberately constructed for political purposes: words, that is to say, which not only had in every case political implication, but were intended to impose a desirable mental attitude upon the person using them.”

This abuse of language and of the fact that people tend to take words as something that is given upsets me. I see these terms slowly worming their way into our everyday communication and it fucking scares me. Because fighting language is much more difficult then fighting people and because I don’t like comparing anything in my reality to 1984.

Orwell might have been writing about Newspeak, but it was just a way of saying that language can be manipulated“not only to provide a medium of expression for the world-view and mental habits proper to the devotees (of Ingsoc), but to make all other modes of thought impossible.”

The vague meaning (?) of these terms puts them into the B vocabulary because “some of the B words had highly subtilized meanings, barely intelligible to anyone who has not mastered the language as a whole” and let us just remember that “the special function of certain Newspeak words was not so much to express meanings as to destroy them.

I’ll keep on quoting Orwell, this time his essay Politics and the English Language, because we take on these new words and terms with “the half-conscious belief that language is a natural growth and not an instrument which we shape for our own purposes”.

To conclude, “to think clearly is a necessary first step toward political regeneration”and the scariest thing is that this “reduced state of consciousness, if not indispensable, is at any rate favourable to political conformity”.

“This invasion of one’s mind by ready-made phrases can only be prevented if one is constantly on guard against them, and every such phrase anaesthetises a portion of one’s brain.”

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Everything at the same time 2

Stranger Things 2 made me realise I have never-ever before had the same opinion about two seasons of a same TV show. That’s all I have to write about Season 2, aside from what I wrote about Stranger Things more than a year ago.

How to watch Ragnarok without watching it

I wish I could write a post about how Ragnarok is a really great movie. I cannot. Because it is not. It is fun(ny), at times too funny. Misplaced humour all over the place. I’d have probably enjoyed the movie more if Kenneth hadn’t made the first movie and if Thor was treated as a comic relief character throughout the franchise(s).

Now, I could go on about how I had fun watching the movie (I did). I could even go into a discussion about who’s hotter: Loki, Thor of Heimdall. I could also elaborate on my opinion that the only person who came to the set to act (not to have fun) was Cate Blanchett. But I don’t have to because I just did. See what I did there?

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Instead of elaborating, I’ll give you a piece of advice. Look at the gifs below for two hours and ten minutes while listening to soundtrack of Stranger Things and it will be equivalent to the experience of watching Ragnarok, minus the cringing due to misplaced humour.

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And if you’re considering seeing the movie due to certain carnal inclinations see the gifs below.

 

There.

 

What’s wrong with Hannibal?

Aside from the obvious?

Not going into aestheticism, they pretty much screwed up everything they could have screwed up. Will Graham, the ultimate empath (insert race from Star Trek) is nothing more than an oversensitive, snivelling child who cannot seem to keep his eyes dry for two minutes. The guy who plays Graham in the show (I don’t care about his name) could not portray the transformation of the “real” Will Graham into a ruthless killer – shockingly, saying “This is my design” has not proven enough.

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The only thing which lead me through the whole first season was the fact that I was intrigued by the massive changes to the story. However, the changes they made to the title character were just too much.

Mads Mikkelsen’s Hannibal is antisocial, weird and so obviously “not-all-there”, that I fail to understand how no one took note of it sooner. He lacks any emotion and fails to react properly in almost all situations, which pretty much screams “sociopath”. However, one of best psychiatrists recommends him to one of the best FBI investigators to help the best profiler. How quaint. And utterly idiotic.

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Hannibal is once again – ruined (remember this?). The greatest and biggest reason to fear Hannibal (the Original) is his normalcy and the fact that you like him and enjoy being in his company. It’s a pleasure to talk to him, even after you learn that he is in fact a monster, at times his intelligence makes you forget this. He is sociable, well-liked and highly-functional – only at times his misanthropy seeps through. In my opinion, you can mess with everything when using Thomas Harris’s books, but you cannot mess with the essence of Hannibal.

Now, the story. One episode per serial killer. Really? Come on? Hello – here’s a vicious, cruel serial killer who kills young women who all look alike. Oh, here’s a list of employees at a construction site. Oh look, here’s the serial killer. Yay. Sorry, but there’s no aestheticism that can mask this massive fail. One episode was simply not enough to portray a warped mind which instils fear and haunts Graham throughout the entire season. I mean, the guy you showed me is just a glorified butcher.

Hannibal is at best a 3/10 but I’m still going to watch season two. Because, I really want to know what happens next. But first I’m going to go back to one of my favourite books  and one of my favourite characters (not Hannibal, Will Graham).

Movie Moments – by Alice X. Zhang

Some of my favourite characters and movie moments captured by http://alicexz.deviantart.com with selected quotes.

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Say ‘what’ again. Say ‘what’ again, I dare you, I double dare you motherfucker, say what one more Goddamn time!

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I don’t give a shit about sleeping, Leon. I want love, or death. That’s it.

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Let me go home.

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I just don’t know what I’m supposed to be.

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These days, there are angry ghosts all around us – dead from wars, sickness, starvation – and nobody cares. So you say you’re under a curse? So what? So’s the whole damn world.

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I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time… like tears in rain… Time to die.

Must-see anime – Gin no Saji

You’ve seen one. You’ve seen them all.

That’s a claim that can easily be made about most anime belonging to the same genre. There are certain “rules” which authors adhere to. Sometimes they bend them, sometimes they flat out break them, but still the rules are there.

Gin no Saji follows Yuugo Hachiken, a boy tired of trying to live up to expectations he cannot meet. He decides to enrol in Ooezo Agricultural High School, a boarding school in the countryside, as a means to escape the stress brought upon by his parents and his lack of direction. For more adverbs and adjectives visit: myanimelist.net.

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What you might call “rules” of a slice of life anime are present in Gin no Saji. But it’s not the rules that really matter, do they? It’s the characters’ originality and plausibility, the setting in which those rules are being applied.

I’m a sucker for anime in which nothing really happens. And when I say nothing, I mean nobody saves the world, establishes new world order or reinstates the balance between the universes – basically your average slice-of-life is my cup of tea. And Gin no Saji is at the same time average and extraordinary, which is a combination I really enjoy because it is not easy to pull it off.

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Gin no Saji is about friendship, limitations and about having good fun while trying to become a better version of yourself – as much as life will let you. However, all of these usual topics are dealt with while our protagonist Yuugo and his motley crew learn how to make bacon and cheese, while taking care of pigs and cows and learning all there is about horses.

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Somehow, the agricultural setting manages to make all those usual slice-of-life tropes shine brighter and make you laugh and care even more. A must-see for anyone who enjoys slice-of-life. Really.

HOWEVER !!!

If you don’t like/eat meat I think it might be better for you to skip Gin no Saji.

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Also, if you do like/eat meat and have issues with where it actually comes from, you might find some parts of Gin no Saji not-so-nice.

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Damaged Women & Tattooed Men

This is a post about Brown Family, a “contemporary erotic romance series set in Seattle” written by Lauren Dane. For more details which do not include my opinion visit laurendane.com or goodreads.com.

I’ve read the first instalment of the Brown Family series years ago and I remember I enjoyed it, so when I felt the need to dip my brain into the Cheap Thrill pool, I thought of Lauren Dane.

Coming Undone (Brown Family 2) is nothing to write home about [but here I am, writing a post about it], but it’s a good enough way of spending an evening after a hard day at work. It’s a simple story about a young widow with a daughter who moves to a new city in search of a new life and gets down and dirty with a guy who doesn’t do relationships but does tattoos, family and friends. The widow has a dark past, because someone has to be damaged, I guess. I liked Brody and the [pause to look up name of main character] Elise because they both were almost lifelike.

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There’s a lot of sex in the book which kind of got old real fast. Frankly, even when I pick up a “contemporary erotic romance” I can do without 15 sex scenes, 20 pages per scene. But then again, it is an erotic romance, and I had the same beef with Laid Bare (Brown Family 1) so I really shouldn’t bitch about having to skip some pages.

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After Coming Undone, I’d logged onto Goodreads to see what’s next and imagine my surprise when I realize the two protagonists of Inside Out (Brown Family 3) are one Andrew Copeland [say what?] and Ella Tipton [maiden name Brown?]. I gave it a whirl but gave up because I couldn’t find the chemistry between the non-Brown characters and I couldn’t bring myself to care about Ella, her freckles, her boobs and her funny voice.

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Logging onto Goodreads, again, I discover a totally crazy summary for Never Enough (Brown Family 4) which made me gag.

Gillian Forrester spent her life running…until Miles came along. The moment she held her older sister’s unwanted newborn, Gillian stopped running and began building a life for her adopted son. Now, thirteen years later, Gillian’s sister reveals the father’s identity on her deathbed – a revelation that shakes Gillian to her core. Adrian Brown is the epitome of the successful rock star. It takes a lot to shock him – but the bombshell that he has a thirteen-year-old son rocks his world [PUUUUUUUN! Because he’s a ROCK star!]. And Adrian is even more surprised when the buttoned-up elegant woman who’s raising him ignites his erotic and romantic attention – and engages his heart.

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So that was a no. But I am an adamant creature, stubborn some would say, so I’ve decided to try and to read another Brown Family (and Friends) book – Drawn Together (Brown Family 5) which was doomed from the very start. I mean the main character is Raven who shows up in all the previous books as a crass, impolite woman whose juvenile actions are interpreted with words such as “honest” and “direct”.

So, another DNF.

I don’t understand what’s with Lauren Dane and wounded women and women in peril? Maybe the Brown Family series is the Wounded Female series? Maybe there’s more variation in her other series…Let’s check on Goodreads:

Giving Chase (Chase Brothers #1): …Despite Maggie’s happiness and growing love with Kyle, a dark shadow threatens everything-she’s got a stalker and he’s not happy at all. In the end, Maggie will need her wits, strength and the love of her man to get her out alive.

I think I’m done with Lauren Dane for now. However, aside from Coming Undone, she also gave me an excuse to put a Tom Hardy picture on my blog which is always a plus. So, thanks Lauren.

Meh

The Summer I Became a Nerd by Leah Rae Miller

Maddie is a popular, cheerleading, quarterback-dating girl with a dark secret. She likes comics, a lot. She hides her true, comic-loving self in fear of losing her popularity which she cultivated over the years. However, she is forced to slowly show her true face and accept who she really is with the help of the boy she’d been secretly pining after for years. Book includes comic book talk, LARPing, a guy called Logan and words such as adorkable.

I cannot seem to get a break. This time break was not given by The Summer I Became a Nerd. I was not expecting to be amazed at the magnificence of its literary merit, but I was expecting….  What in the world was I expecting when I picked this one up?

The Summer I Became a Nerd is something of a book, although not really. It’s more like a rough draft that could have been a book, a fun book at that. There’s just so much missing from it. I feel overwhelmed just thinking about making a list.

So I won’t.

The one important thing this book lacks is soul. Fact is, even the crappiest of books can have a soul. The Summer I Became a Nerd has these words, and stuff happens. Some stuff is cute, some mildly entertaining.

But in the end, it’s just meh. Read it. Don’t read it. In the end it’s really all the same.

Featured Image by gelopsychedelico.deviantart.com

Film Adaptation. Done Right.

You know how people say: “You should’ve seen it on the big screen“? I have discovered recently this also applies to The Silence of the Lambs, one of my favourite movies of all times.

The Silence of the Lambs is one of those movies which I have watched enough times to have memorized not only all the lines, but also the way those lines are delivered as well as facial expressions of characters as they deliver them. I guess this tends to happen when a movie is directed masterfully, the casting is freakishly good and the script kicks ass. So, not very often.

I’ve seen the movie a billion times and I thought I appreciated it for all its worth. However, I was wrong. Only on big screen can you appreciate the sheer genius of Anthony Hopkins and Jonathan Demme. For the first time I was able to fully appreciate how good Jodie Foster is as Clarice Starling.

Aside from the obvious reasons for loving this movie, I also love it because it is the best film adaptation I have ever seen. It is the epitome of film adaptation. It’s film adaptation, done the right way. You take the source material (which is awesome, requires no tweaking and needs not be tampered with) and you give it a dimension only the medium you’re adapting it to can give it.

You give it a voice, you give it a face. You use a simple thing as a look to convey a thousand words that a book cannot communicate. You use the camera and sound the way a book uses words and descriptions – to draw in the audience, make it a part of the scene, make it feel the story, make them live it and suffer it. The Silence of the Lambs is proof that Demme understood his medium and had respect for the source material.

It’s a fucking masterpiece, this movie. It’s also one of the rare film adaptations that I actually like more than I the source material.

The only thing that would make me appreciate it more would be hearing the lambs scream as they are being slaughtered. But I think the current level of appreciation will have to suffice.

A Case of Literary ADHD

Rose Christo’s Gives Light Review

I’ve been itching for something light to read, so when I realised I’d bought a book titled “Gives Light” it seemed a no-brainer. I couldn’t for the life of me remember why I had bought it,  which I absolutely loved because I had no idea what to expect.

In the beginning, the book was capable of smoothing out the wrinkles of a shitty day.

Halfway through, it became apparent that I will not enjoy the book. Rose seemed to have had a bunch of various ideas which are perfectly OK, but she really should not have put them all in one book. It’s just too much, and the book ends up being about nothing and everything and about no one and everybody. It’s all over the place and no character is given proper attention due to this literary ADHD.

I will list all the things that were not given proper attention in Gives Light. And no, I do not care that it is the first book of a series because a series is a series, and a book is a whole in its own right.

  1. Skylar St. Clair is a mute teenager who got his throat slashed by a man who had killed his mother
  2. His father has disappeared without a word and Skylar is put in a custody of his paternal grandmother who lives on the Nettlebush Reserve
  3. Skylar’s mother was murdered on the Nettlebush Reserve by a member of the tribal council
  4. He was in fact a serial killer who had murdered several women
  5. The son of the murderer, Rafael Gives Light, lives on the reservation
  6. Native American customs and history are interspersed throughout the book
  7. For the first time Skylar becomes a true member of a community and makes friends
  8. Skylar’s new friend Annie has to take care of her two siblings because her mother is in the Army and her father is useless (it is mentioned somewhere that he had a stroke)
  9. Rafael Gives Light becomes one of his best friends
  10. Skylar’s father turns out to be a criminal who brings illegal immigrants into the country
  11. FBI and social services regularly visit the reserve and threaten the fragile stability of Skylar’s new life
  12. Skylar slowly falls in love with Rafael and Rafael returns his feelings
  13. Skylar is briefly conflicted about his feelings for Rafael – briefly because there’s so much shit going on in the book he has no time to deal with it for a longer period of time.

Imagine all this (and more – I avoided spoilers) crammed onto 285 pages, and do not forget to include descriptions, internal monologue and musings of a teenage boy who uses words such as “vociferous“.

Let’s go general and explore topics.

  1. Dealing with severe loss and monumental change
  2. Facing painful past experiences and achieving personal growth through adversity
  3. The treatment of Native Americans in modern society
  4. The importance of preserving the culturally and spiritually rich Native American customs and way of life
  5. Dealing with the fact that you are different and learning that “normalcy” is a matter of perspective/upbringing
  6. Treatment of crime and punishment in different cultures

I’m sure I could come up with more but I think this is enough to illustrate my point.

It’s a shame, really, because the book is well written. If the first list was cut down and one or two of the topics given proper prominence, I believe it would have been a really good book and I would have probably been half way through the second part of the series.