The Force, Awake it is

I’m not a die-hard fan of the Star Wars. I wouldn’t even call myself a fan. It’s a bit beyond classification because Star Wars has shaped the way in which my mind works, having been one of the first (if not the first) SF movie I have ever seen. When I think of a spaceship, I think of a Star Destroyer. When I think of droids, I think of C3PO.

Even when I watch the abominable prequels, the opening credits make me feel like a little kid about to see its dreams come to life.


Unlike the prequels, the Force Awakens delivers. It has everything a good Star Wars move should have:

  1. Great action scenes
  2. Black and white morality with poor attempts at nuance
  3. Strong female character (not a princess or a queen this time)
  4. Dude in a black cloak with a cool voice
  5. A fight scene in a place high atop a thing
  6. Adorable droid

Add to that amazing special effects and a decent screenplay, a bit of 3D, Han Solo, and Voldemort, and you have a movie which deserves all the heaps of money it will earn.

Much as the original Star Wars, the Force Awakens is not perfect, because it’s pretty much the same movie. New Hope Reloaded. Really, it’s the same, with a few adjustments.

A few other flaws:

  1. Kylo Ren should have kept his mask on
  2. The fact that millions died (I think) should have caused at least a minor emotional response from at least one character
  3. Two minutes are two minutes, if you cannot abide by the deadline you set in your script don’t set it – false suspense is crap
  4. The last scene was more ridiculous then dramatic

The best part of the movie is definitely the cast.  It always seemed to me that the actors in the franchise thought the Star Wars story was preposterous, and that no one really approached it with dedicated gravity. Let us look back at what Alec Guiness wrote:

 … new rubbish dialogue reaches me every other day on wadges of pink paper – and none of it makes my character clear or even bearable. I just think, thankfully, of the lovely bread, which will help me keep going until next April …

While Ford’s and Fisher’s  willing suspension of disbelief is noticeable in their performance, Boyega, Ridley and Isaac have taken their roles seriously, making the repetitive quality of the movie seem almost irrelevant. I’m still amazed at how convincing Ridley was in everything she did on screen, and she did it all with a vengeance. No matter what Rey did, I had no problem believing that she was perfectly capable of doing it, no questions asked.

Conclusion: Fury Road is the best movie of 2015.

Credits for the featured image go to lightsabered

Other credits go to allengrimes and spirit–of-adventure @


Why Does the Universe Hate Aaron Sorkin?

I really don’t know, I hope someone knows the answer, so I decided to put it out there. But this isn’t a post about Aaron Sorkin (not entirely). This is a post about Steve Jobs. Not the man. The movie.

The movie is truly amazing. Loved every moment, was sorry to see it end. I loved its structure and its symmetry. I loved the fact that Sorkin’s dialogue still plays out like the best fucking action scene you’ve ever witnessed, making you sit a little closer to the edge of your seat. I love the fact that Sorkin’s dialogue always leaves victims.

The fact that the life of a complex man was summed up into four words blows me away.

I don’t care about the truth about Steve Jobs. I don’t care about which part of the movie was true to the life of the man. It shouldn’t matter. You do not need to recreate someone’s life to tell a story about the man who lived it.

There is one thing wrong with this movie. Michael Fassbender. Don’t get me wrong. He was good. But he could not turn the sexy off. He tried. He failed.

And there’s another thing wrong with the universe:

Who is Jeff Daniels?
It’s the guy from Dumb and Dumber who’s not Jim Carrey.” – still the easiest way to answer.

It’s my mission to make it: “He’s that guy from the only show  Sorkin managed to finish.